Productions

2022

By presenting a theatre play, a story, or a narrative, we presume a certain sense. Where does this sense belong?

2019

Fleeing her family in Lebanon in the hope of building a new life in Europe, Ghalia, a pregnant teenager, makes an extraordinary journey through the Arab World.

2019

“I Hate Theater I Love Pornography” is an investigation on current forms of corruption plaguing today’s world. It uses theatricality as a tool to question how we position ourselves as artists and as individuals with regards to the multiple representations of this corruption. 

2019

“[Love] is an existential project: to construct a world from a decentered point of view, other than that of my mere impulse to survive or re-affirm my own identity.”

Alain Badiou – In Praise Of Love

2017

There is a child. Omnipresently absent.
There is a musician. Pulling the strings.

Innocent Violence
2016

Fictional violence—ubiquitous and mind numbing—can cause society to overlook the very real violence in daily life.

2016

Lebanon has been witnessing continuous acts of migration, repeating patterns of “conquering the west” by sea

2016

While we witness many events being abused politically by manipulative media, diverting the truth, can we as theatre m

2016

“The Last Tablet” stems from our on-going research on the Epic of Gilgamesh, which resulted in "He Who Saw Everything

2016

Shakespeare’s ruthless political observations on the government made of him a major political thinker.

2015

“It seems to me that all he is asking for is intensity, a more heightened form of feeling and living.

In Walking Distance
2015

 “In Walking Distance” is an attempt to retrace a series of figures of women warriors and women involved in various f

2015

 “Fill your eyes with this horror!

2014

“Being a spectator of calamities taking place in another country is a quintessential modern experience (…).

2014

Heavens closes the chapter of historical research we started in 2012 with Perform-Autopsy.

2014

Inspired by Mary Shelley’s Frankenstein; or the Modern Prometheus

A Memory for Forgetfulness
2013

A theater adaptation of the prose poem by Mahmoud Darwish

2013

This is a theatrical work that questions the authoritarian model that governs religion, society and theater.

2013

"School Acts" is a theater performance that tackles the triangular relationship between students, parents and educati

Perform-autopsy
2012

"Perform-autopsy" is the english title of "Mashrah Watani".

Silk Thread
2012

"Silk Thread" is a site-specific performance investigating inherited social structures that define and shape gender s

2011

In this dance solo, it is a question of a figure, a body as a moving mass, taken within dense spaces of folds and cir

Nes Bsamneh W Nes Bzeit
2011

"Nes Bsamneh W Nes Bzeit" is a 35-minute street performance with giant puppets, based on Kafa’s documentation of test

The Marechal Of Abediyeh
2011

If you just utter the name ‘Marechal’ in Abediyeh village, hundreds of stories and memories will emerge from those wh

Hamletmachine 2
2010

Emerging from the importance of continuing the research which started in 2008 on the text of Hamletmachine, that expl

S'approcher
2010

Marie-Madeleine d’Artemisia Gentileschi puts her right hand on her heart, extends her left hand and, in a look of rap

2009

The theater performer comes out from the ruins of history to announce that [he] was Hamlet'.

2009

This solo piece is part of a series of performances inspired by L’Amour by Marguerite Duras and other related writing

The Music Box
2008

The Music Box is a solo performance about homes, usually performed in people’s homes.

2007

In an exhibition hall, near a theater stage, seven actors, each stuck in one time zone, are separated from the genera

Meen El Batal
2007

“Man moves in order to satisfy a need.”
Rudolph Laban.

Telescope
2007

This work is inspired by Russian filmmaker Andrei Tarkovsky’s “Mirror”.

2005

On the first days of October 2005, the city woke up to view different verses of poetry spread on banners, hung over t

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